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LUMINOUS MUSIC . JON KELIEHOR . DRUMMING . GAMELAN . CD CATALOGUE . PURCHASE . CONTACT .
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SAMPLER 2010
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MUSIC PREVIEW
These 31 selections of music are examples suitable for broadcast or performance. They vary significantly in approach and content. Selections have been accessed from various CD’s on this website, although there are a few independent tracks. Themes of these pieces were made to support different types of emotive visual content. Featuring unusual instrumentations, the music is unique, potent and direct.
Samples may play randomly, but are selectable. They are grouped in
categories without special emphasis:
I Journey, Travel, Floating Worlds
II Orchestral
III Modern Themes
IV Orient
V SE Asian/ Atmospheres & Gamelan
VI Percussion Emphasis
L I S T E N . H E R E |
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I Journey, Travel, Floating Worlds
1 Walking On The Stars (sample) 01:05
2 Equinox (sample) 01:50
3 Ocean Of Dreams (sample) 01:13
4 Forgotten Faith (sample) 01:00
5 Cloud Music (sample) 00:57
6 Eve Serpent (sample) 01:24
7 Falling Up (sample) 03:50
II Orchestral
8 Ecliptic (sample) 04:29
III Modern themes
9 In Deep 2 (sample) 01:51
10 Another Day (sample) 01:53
11 33 Steps (sample) 01:44
12 Push (sample) 01:30
13 Kotekan Descending (sample) 03:24
14 Plateaux (sample) 01:44
IV Orient
15 1000 Yellow Bicycles (sample) 00:56
16 Path (sample) 00:40
17 Water Pools (sample) 01:18
18 Peking Station (sample) 00:48
19 One Language (sample) 01:04
V SE Asian/ Atmospheres & Gamelan
20 Temple VII (sample) 02:22
21 Eternity (sample) 01:05
22 Selunding Suling (sample) 03:14
23 Subcontinent (sample) 01:59
24 Unfolding The Way (sample) 01:06
25 Abyss (sample) 00:46
VI Percussion emphasis
26 King Rama (sample) 00:42
27 Ancient Mysteries (sample) 01:39
28 Passione por la Vida (sample) 02:17
29 Prince and Princess (sample) 01:26
30 Trance Gong (sample) 01:31
31 Wheel of Fortune (sample) 03:54
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JON KELIEHOR
The music of Jon Keliehor comes from his involvements both as a percussionist
and composer working with contemporary dance, film and theatre. Within this
range of visual applications, his experience with companies such as London
Contemporary Dance Theatre, Danza Hoy (Venezuela) and many independent dancers, has provided an impetus to create
music responding both to the imagination and to the dynamics of the physical
body. His work is wholly inventive and emotive, an original music that reaches
out to a wide audience. He draws on a large resource of modern and old-growth
musical instruments that allow him to unite ideas across cultures. It is a
music that is deeply historic, mythological and cultural.
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